Mike G & Associates

Mike G and Associates are:

Mike Gendron-lead guitar, vocals
Peter Gendron-keyboards,harmony vocals
Jason Carpentier-bass guitar
Kevin Ferschke-drums

Mike started his Bar and Grille tour June 4 with a bang~ he announced that he had been nominated for the Providence Phoenix's Best Male Vocalist.
He genuinely looked surprised, but shouldn't have been. After all, he came in second in the recent Providence Motif contest for Best Male Vocalist.
Mike hails from Rhode Island's own Blackstone Valley, where he rocked the Lincoln High School talent show with a memorable performance of 'the Cats in the Cradle' and has had a following ever since. What began as a grassroots hobby of garage band sound and melancholy lyrics has become a profitable living. It began with 'Damaged Goods' to 'Mike G & the Vacations'to years with Grand Evolution. Mike's brilliance as a confessional songwriter is at the forefront now that he is leading his own band again, and he has come into his own. Not only is he a mainstay of the local music scene, he is a force to be reckoned with.

To all you 20 somethings out there: it's time to transfer out of the super massive black hole that is the club scene~and appreciate local artists.

Mike is a musician first, and a fisherman second ~ he hooks a line, reels a rhyme, and works for a dime. During the gig, Mike mixes his own original songs in with recognizable covers. The bandmates innately recognize Mike's capacity for depth; after ring of fire one acknowledged, 'You kind of have that far away look in your eyes, brother'. Peter Gendron, who is a dead ringer for John Lennon, introduced a Beatles tune as 'Modern Rock'; the sarcasm was as dry as melba toast, but there's something to be said of a band that likes to have fun while taking their rock and roll seriously.
The originals are a treat from top notch musicians that utilize blended techniques to incite an emotional response from the audience. "Close your eyes, my baby" written and arranged by Peter Gendron started out as a lullaby for his daughter, but didn't finish that way. There is an edge to it and it it turned into a slow rock and roll song turned "may you rest forever in peace."

Some are very psychological, such as "Skeletons" where he wails on the harmonica with the vendetta of a broken heart. Others, such as 'Julie Blue' wistfully acknowledges the need to reconnect with that one person in the world, perhaps, that ever understood us.

"Infinity" rolls like an angsty love ballad, with lyrics of "heavy is the heart that's shut." As with any strong musician, the pictures are ambiguous; spitting into a fan is obviously symbolism, but of what?

Every song is an emotional catharsis that brings you through a labyrinth. Vague and disorienting as his songs may be, Mike strums from the heart.

Somewhere, hearts and flowers bloom in the spot where he lost his love as he leans into the microphone, and bitterness scatters like rose petals in the wind."Poison Love" is a long hard lesson in love you won't soon forget, this lesson being from his own father.Hence the lyrics in another song, "Keep your heart safe, and your eyes on the road." It is an autobiographical, versatile expression of a man who is living with little regrets; he's seen beauty and wants to share it with you. It is not sordid, but sublime; he loves life in all its facets and his easygoing attitude proves he is a survivor.
Mike G and Associates are truly diverse, with two shows unalike. There is a distinct twang to certain vocals, as Mike's main influence is Neil Young; in fact, he also plays in a Neil Young Tribute band, "Young Rust". Mike ends every song with a solo or a jam, and aced "Keep Rockin' in the Free World."

"All along the Watchtower" was a screamin rendition of the Dylan cover, and Mike rocked as if his guitar was a fire hose that he could hardly contain.

He may sound Americana and wear a cowboy hat, and but don't call him 'Country Mike'.The Associates have played with Soul Asylum.
The mysticism and intrigue of Old New England, and the Blackstone valley especially, is an apropos location for a deep thinker like Mike Gendron. Be sure to pick up a copy of 'The Traveler's Diary' at their next show, currently selling for the bargain price of $5.00 a copy. That's below wholesale for a professionally produced CD that is self-arranged and written. Just in case Mike's not your thing, they have a 'generous return policy'; Mike's tongue-in-cheek remark to non-creative people that never want to pay artists what they're worth. With stellar reviews in the Phoenix, Motif, and Limelight, keep your eyes and ears peeled for Mike G and Associates; they just might be the next big thing to come from the Rhode Island music scene.

Wednesday Night Wheels with Jason James and the Bay State Houserockers

Irish Times, Worcester MA, 244 Main Street

http://www.redstreakmotors.com

Bike Night 6-9 pm

A rogue curl from an otherwise slicked back pompadour bounces off a white porcelain forehead...the contemptouus snarl for the crowdgoer with no visible tattoos ....

With a giant black and white wall size banner proclaiming them, Jason James and the Bay State Houserockers bring a James Dean smoldering intensity to Summer nights in Worcester. Be prepared for fishnets, fashion, and fun

. This is a dancing crowd that likes the ponytails twirlin, them hips shakin' and arms swingin. Imagine a neo-fifties crowd meets Dancing with the Stars as two couples took to the floor to show off professional lessons. Their dizzying moves were matched by the Bay State Houserockers exceptional performance. They never broke character; they opened with 'drive, drive, drive' and drove right into 'Summertime Blues'.
It is close encounters of the Irish kind at the Irish Times in Worcester, where there's something for everyone here. DJs spin dance grooves upstairs while the cool kids and hepcats tear up the dance floor during Wednesday night Wheels.Across from the Palladium and within walking distance of the DCU center,Irish Times is THE college age venue for Good Times. An ample pool room boasts leather couches conveniently located behind the stage and seperated by a clear wall for viewing. The room is band friendly with a state of the art sound and light system. The dark, rich wood interior gives it an 'Irish' feel, yet not lacking in contemporary touches; there are large booths for privacy dimly lit by artsy lamps. The menu is terrific, with traditional Irish fare such as Bangers and Mash and Corned Beef, as well as other excellent favorites. The hamburgers are as big as your head; the Southwestrn Egg Rolls and fried ravioli are cooked to perfection. There is live entertainment every night of the week, with $1.00 tacos on Mondays and cash prize Karaoke.

Sunday Blues Jam with Jim Perry and friends

Every Sunday 5-8
Greendale's Pub
404 West Boylston Street
Worcester, MA

He's baaack!

Sunday afternoons belong to the Blues at Greendale's Pub in Worcester. Tucked away in an industrial setting, this working-class cash only venue has its own charm and started to grow on me. The kitchen is open every day from 4-8 with reasonable prices; no sticker shock here: Greendale's is home of the original dollar dog. The best drink value would be $4.00 Jack/Johnny and Sam Adams for $2.25; try finding that price anywhere else in Worcester!
Blues breathes its own life force into the crowd, and there were plenty of wiggles and smiles. Full of ample bodied-blues that shoot from the hip, Mike Lynch led the vocals with Jim Perry his first mate singing the harmonies. Jim Perry and his house band feature a great new guest artist each week.

It is a continual burn of wild raw blues that is definitely worth taking a listen to.

Each week the feature ends with an open mike blues jam with plenty of crowd participation. One week was devoted to Bob Dylan with tributes of "All Along the Watchtower" "Knockin' on "Heaven's Door" and "Rainy Day Women #12 and #35" for the legend's birthday.
The Blues Jam is exactly that - a jam; it's an improvisational set of whatever develops. Nothing is nailed down to perfection, but there is a familiarity. Jim introduced a bassist Peter McGilvery , as "one of the craziest people I know ~ in a good way"
Continually extrapolating the sound, Mike Wailed through "You know we will meet again...if your memory seves you well." and "Sweet little rock and roller...she never gets any older." rough and loud...just as this crowd likes it.

One open mike participator was particularly striking with a smooth grin and a white shock of hair. He played the harmonica with the vendetta of a broken heart.

Jim traded his Les Paul for a Fender Telecaster, and energized the fanfare.

Jim Perry and the house band turned and burned during the Open Mike as "Cheeky Steve" blew on the harmonica like a saxophone; he held the harmonica in one hand and the microphone in the other. "Steve" was a fan of rockabilly blues jams with lyrics of "I'm in love with you babe`let me ride in your automobile...you got a fine little car....with too many drivers at the wheel."
Bringing years of blues under his belt, Jim Perry slides into the keyboard as well as he plays the guitar.

It is a mostly older crowd, but the ladies are well-groomed and fickle.

"Kim" an audience member, strutted to the mike to sing "Me and Bobby McGee" accompanied by the Greendale equivalent of Big Brother and the Holding Company.

Eric Fontana and the Ultra Fine Reducers

http://www.myspace.com/ericfontana
http://www.cdbaby.com/all/ericfontana
http://www.courthousearts.org/

Studies in R+B
Eric Fontana and the Ultra Fine Reducers "Booked" at the Courthouse!

Eric Fontana - Vocals/Guitars*
Thomas Brinkley - Bass
Vinnie Pagano - Drums/Percussion
Keith Munslow (Piano) and (Organ, Track#8-Wonderland Blues)
Gordon Beadle (Baritone/Tenor Sax)

*All songs written and Arranged by Eric Fontana (BMI)
6/12/09 CD release party @ the Courthouse Center for the Arts


Round 1-cuffed, printed, jailed

South County, RI~The Courthouse for the Arts proved to be a great room for Eric Fontana.

So many great jazz players are dead, that the ones that are still alive are dying to be like the ones that are dead." ~ Yogi Berra

Although the first thing I noticed about Eric Fontana was his shoes,it's not the most impressive credential he bears.

Eric writes R&B songs with an electric blues feel in an old-timey style that is difficult to do. Most of what he writes details the complex side of the human experience, and he rides the emotional wave until it crests with a wailing lead guitar.
The first set completed the entire CD chronologically, beginning with 'You gotta lotta Nerve" and ended with "Wonderland". The CD just doesn't do his stage prescence justice; he mixes theatre with music, and is a show stealer.Eric Fontana and Gordon Beale utilized extended instrumentals and heavy improvisation, and everyone was confident in their role to allow the others to seek new creative heights. There was a mutable, chameleon like quality to Fontana's energy, and it was hard to look away from his devilish grin.

During 'B Flat on Your Back', Fontana bended notes to a bluesy climax that are grounded by pronounced bass lines that not only walk~they strutted.

Fontana kept to the genre with simple lyrics that didn't require a lot of interpretation, but carried a heavy psychological weight nevertheless. "Stop All Your Talking" begins like Wilson Pickett's "Midnight Hour" and delves deep into the intricacies of inter-personal relationships affected by the occasional drama (occupational hazard) of a musician's lifestyle.
"Strange Fascination" emitted like a confession, and the lyrics are explicit.Musicians, just like the rest of us, know the rules, but bend them to suit their needs from time to time. Wonderland" was dreamlike and surreal ~ watching Fontana and the Ultra Fine Reducers perform under magenta, purple, and teal neon lights was like being in a David Lynch movie. Thankfully that ended the first segment; I needed a break to maintain my equilibrium.
Round 2-tried, sentenced, punished at the Courthouse
After the short recess, the second set consisted mainly of covers. Never lacking in originality, it was no one's guess what they would play next.

It was ironic to hear Cash's 'Folsom Prison Blues' in a courthouse, and Brinkley's bass emulated the train coming to take me to Folsom prison.

Eric rocked a Fender Telecaster that inspired everyone in the crowd to dance, and there were more crazy shakes than a Grateful Dead concert. Unlike the first segment, where Gordon Beadle seduced and brought the sax screaming to a climax, he violently spanked it through the second segment. Crowd favorites were "Born on the Bayou" and "Good Golly, Miss Molly"; where Eric actually pulled his pant leg up to show off his striped socks. The audience demanded an encore; the choice was the Beatles "I saw her standing there."

I Am Trying to Break Your Heart

Following bands is very psychological and can be confusing at times. Here are some tongue-in-cheek guidelines to keep you from embarrassing yourself and others.


DO have fun!
DON'T apologize for your originality or your enthusiasm
DON'T blow off your girlfriends to see a band.(Hos before bros~)
DON'T for a minute forget (male) musicians are MEN,first and foremost.
DO take a breather if you have been following a band over a month
DO know they appreciate your attendance at their gigs
DO have a sense of humor and a thick skin
DO remember what works with one band doesn't necessarily work with another
DO understand that your family and friends won't approve of their lifestyle
DON'T quit your job to follow a band, even if you are independently wealthy
DO be objective if they ask you how they sound
DO remember their friends are not YOUR friends
DON'T go to gigs alone
DON'T admit you know a band member's name if you've never met them before
DON'T email videos of their shows
DON'T send them anything through the mail
DON'T let the band know that you have memorized their astrological signs
DO take photos
DON'T be the paparazzi
DO be a fan
DON'T be a fanatic
DON'T follow a band you've just met to a club they're going to after the gig
DON'T give them gifts of any kind, for any reason
DON'T sleep in their bed, even if it's because you need a place to crash
DON'T ask them for a ride, even if it's to your car
DON'T drink and drama
DO socialize with the band
DO imbibe moderately
DON'T show favoritism to any one member of the band
DON'T leave mash notes on their windshield
DON'T expect the band to escort you out of the club
DON'T follow a band outside as they pack up their equipment
DON'T expect the band to 'party' with you on the same night you've just met them
DON'T trust one band member with a secret you wouldn't want the other band members to know
DON'T wear your heart on your sleeve
DO keep the band at arms length - emotionally and physically
DON'T bring baked goods to the gigs to share with the band
DO wear flattering outfits
DON'T wear revealing outfits
DON'T ask a band member for their photograph
DON'T ask a band member for their autograph
DO ask a band for their website URL
DON'T ask a band if you can attend practice sessions
DON'T wear shoes you might fall in
DON'T bother if the musician is a 'creative genius' with a sociopathic streak
DON'T attend gigs on Full Moon evenings if you are prone to emotional highs and lows. (Full Moons increase emotional intensity.)
DO let your light shine
DON'T burn yourself out
DON'T give them birthday or christmas cards
DO respect the equipment
DO introduce yourself if you are a member of the press
DON'T put yourself in a dangerous situation to see a band(i.e., icy road conditions, walking through dark alleys and bad neighborhoods alone, etc.); there will be other gigs.
DON'T ask for anything (CD's, Tee shirts, ETC.) you're not willing to pay for
DON'T go to gigs if you are emotionally compromised from a bad break up
DO show your appreciation for the band by clapping and dancing
DO follow these guidelines

Amber Casares, "Can I Go Home With You?"

Amber Casares' debut album features true to life self-written lyrics with the entire spectrum of the highs and lows of emotions when a relationship ends. It Begins with one last winter night, the speculative fear and denial of losing a loved one to another woman..and ends with "Can I go Home with You" where a woman reaches acceptance, but not in a constructive way. The 'rebound' one-night stand wouldn't be a cliche if it didn't happen often.

With a style remniscient of Emmy Lou Harris, Patty Loveless, and Tammy Wynette, her voice brings empathy and the listener gladly accompanies her on the ride to those sardonic threads of loss and grief.

As uncomfortable as it makes you feel, It is poignant, sublime, and satisfying.

Gifted with natural harmonious melodies, she can carry a tune with the best of 'em - past and contemporary, and proves she is an outstanding female vocalist in her own right.She shines amidst her opus of pain, her dossier of distress; the result of a torturous relationship with a creative genius. She is perfect for the country western genre and it is evident. It's not all a downward spiral or a roller coaster to hell, but a reflection of a tenacious woman's spirit repossessing itself through creative expression. "One Day I'll say Who?" is a sarcastically spunky song of redemption and upright femininity.

Psychobilly Cadillac

Who: Psychobilly Cadillac
When: May 16
Where: Vincent's
Why: Because they Rock!

Songs:
Flat Back,
Howling for my Darling
Cocaine Blues
Baby Let's Play House

Influences:Elvis, George Thorogood, Carl Perkins, Gene Vincent, Eddie Cochran,others

Jason James swings and swaggers his way through sexually charged currents

. It's all about the energy you bring to the venue, and what they bring is frenetic and electrically charged. No wonder they didn't like Elvis back then! Using scale to their advantage,Jack Hanlon spanks a stand up bass and Jason is tall with a pompadour. Not to be overshadowed, Frank Inangelo beats the drums with hands like hammers. For "Howlin for my Darling" The trio is an enthusiastic sound of hip shakin' foot stompin' good timin' rockabilly catering to hot women and cool cats.
Psychobilly represents the dark side of the fifties - no bobby sockin in this crowd.Johnny Cash's 'Cocaine Blues' lyrics reflect a rockabilly life that is anything but clean and correct, and the motley musicians unapologetically celebrate their lawlessness by driving around in a tricked out Cadillac.

James Keyes

http://www.myspace.com/nicksworcester
Who: James Keyes
Where: Nick's
124 Millbury Street
Worcester, MA
Songs:
Painter's Hands
SSG
NICK'S - where listening to bar banter shot from the hip is almost as entertaining as the music.

James Keyes stepped out of his comfort zone that evening, proving that he is not afraid to sacrifice the mundane to achieve a creative apex. In his own words,"You ain't got nothin' if you got nothin' to break your heart." Typically characterized by his acoustic guitars, James beamed with electricity, PLUGGED in and alive with a tomato red Epiphone dot.
With a singing style that is elongated , Raspy, and far from gimmicky, his sound is genuine. Not a tortured soul, but angst is apparent ; with the rhythm of a heartbeat, "Red Cent" drove the message home. His roots obviously began in American folk music, but the genre shapeshifts. With an inherent liveliness James boasts a magnificent performance that features strategic lyrics and a stellar harmonica talent."You've got Nothing" and "Black Ceiling" couldn't be more self-effacing.
Ah, the lost art of writing your own songs....
Willing to accept what he has become, he performs with a boisterousness that doesn't apologize.

The lyrics to his songs are brutally honest because he has nothing to hide. His performance at Nick's is like holding up a clay mirror and reflecting it back to the audience.His lyrics echo of hard times, but there is a glimmer of hope inherent...always.

"Dirty Wormtown" is a rewrite of a classic to suit his own hometown. Beauty is apparent amidst the poverty and decay.
Established in the local scene and well-respected by his peers, James is doing, rather than dying in obscurity; a theme that strikes a chord within every artists soul.
James plays every Tuesday night at Nicks, as well as other local venues.

95rocks the Cape!

http://www.myspace.com/pixy103
http://www.myspace.com/thegrabbrothersband
http://www.rumrunnersbarandgrill.com/
http://www.sundancerscapecod.com/
http://www.myspace.com/sevenrocksyou

"The Moon was a ghostly galleon...tossed upon cloudy seas..."
~The Highwayman, Alfred Noyes

It was a long drive to and from the Cape, but worth it....after the fun times I had, I am definitely going back....and will WALK there if I have to.

The Grab Brothers Band @ Rum Runner's
Rum Runners

A full moon? and a pirate themed bar? Surely you jest!!

Larry Grab: Flute, Acoustic Guitars, Bass, Harmonica, Sax & Vocals

Marc Grab: Electric and Acoustic Guitars, Trombone & Vocals

Jason Wamboldt: Drums, & Vocals

Rob Scott: Keyboards, Guitars, Bass & Vocals

Being assaulted with sea air and moonlight for three hours from a convertible will make you crave seafood~and rum.Thankfully the Grab Brothers and Rum Runners came to the rescue.
Serious musicians that know how to have a good time,the Grab Brothers Band rocked the Cape with their humourous remakes ,"Burning Down the Crown" and "Dirty deeds (done with sheep.) Their eclectic style covers everything from classic rock to Funk, R&B, and covers. It is a truly amazing gig ~ think Weird Al Yankovic meets Frank Zappa. Their success has been celebrated on both coasts, as they play to followings in California and Massachusetts.


What: PIXY 101.3 Most Dangerous Band Contest (finals; ongoing weekends)
Where: Sundancers
116 Main Street Route 28
West Dennis, MA 02670
SeVen
Vocals - Billy

Lead Guitar / Vocals - Keith

Drums - Adam

Bass / Vocals - Mike

Sound / DJ - Matt
Covering the entire spectrum of live, loud and local, SeVen plays to emphatic crowds all summer long on the Cape.
Centrally located to the downtown clubs, Sundancer's is just over the Bass River Bridge, over the Yarmouth / Dennis Line. Hailing as a 'casual waterfront atmosphere', Sundancer's is about as casual as it gets.

It must be the season to party , as many of the patrons sported outfits that would leave the hosts of 'What not to Wear' aghast.

Somehow it all comes together in a kinetic kaleidoscope not unlike a colorful karma chameloeon.
SeVen is a hot commodity here on the Cape for those who are looking to have a good time and like commericial music. Mainly a cover band , they employ vocally driven lyrical hip hop hooks such as Red Hot Chili Peppers, Submlime, and 311. They also play Southern Rock/Hard Rock Favorites such as White Zombie, Billy Idol and Kid Rock.(Kudos to Keith for the vintage Les Paul Sunburst.)
Green Day's 'holiday' was definitely a crowd favorite.
Don't sweat with the Memorial Day weekend traffic getting there; with warmer weather approaching, every day is a holiday on the Cape.

Clayton Willoughby for President

Who: Clayton Willoughby

http://www.myspace.com/claytonwilloughby
http://www.myspace.com/nicksworcester

Where:
Nick's
124 Millbury St
Worcester, MA

Worcester is a northeast industrial town in the heart of Massachusetts that is currently undergoing revitalization amidst an economic recession and Mother Nature's fury. There are entire neighborhoods without trees due to the December ice storm and asian longhorned beetle plague.
Nick's is a rare gem in the rough diamond that is Worcester.

While sipping Absinthe amongst lacquered woods, stained glass windows, and fine art reproductions, one almost forgets the urban decay outside. I tried St. George's from California - a 120 proof concoction.

After the liquor was cut with sugar and water,all I tasted was licorice.

A welcome shtick to Nick's calendar of diverse acts is Clayton Willougby.
Clayton said the first time he played at Nick's, he was a little nervous. "I wasn't sure how well I would be received" he said. "I walked through the door in my bow tie, white gloves, and walking stick , and the bartender bowed and said, 'Good Evening, Mr. Willougby, you're looking very dapper this evening' and I knew I was home."
Clayton is hardly seen without his walking stick, and has the lyrics to prove it. "Without my walking stick-I'd go insane; I may look my best, but I feel undressed, without my cane." Additionally autobiographical is the "Aint Misbehavin' title track of his CD; the accompanient heralds words to live by, and he does: "I don't stay out late; I don't get a cold; on Friday it's just me and the radio."

Both of his parents were in show business;he was genetically born to perfect pitch and vaudeville; he doesn't expect a captive audience-he DEMANDS it.

"Woody's kid stole this song from me~I won't mention his name....I usually perform this song around Thanksgiving." he explained. It goes like this...You can get anything you want, at Nick's Bar and Restaurant....I just wanted to set the record straight". He explained. "Don't accept any cheap substitutes."
With an onstage setup that resembled a historic living room, including a tabletop tiffany lamp, 'on air' and 'applause' signs,and a Bates Motel hand towel, Clayton is a travelling salesman of history that adores historic props. Two vintage suitcases advertised 'Capitol Records' and proclaimed 'I like Ike'. If Dwight Eisenhower were running for president, Clayton Willougby would be his campaign manager.

We conversed about political history,victrolas, antique restoration,and his 1956 Pontiac Catalina. He is the real deal, 'Daddy-O'

Clayton dedicated his song 'Prairie Lullaby' to his two favorite cowboys, Gene Autry and Roy Rogers; moved onto something completely different with a gypsy tango. "Much to my father's dismay, a band of gypsies campled out on our backyard for an entire summer." He said. "They taught me this song~and many others. I also learned to pickpocket; watch your wallets." All humor aside, the gypsy tango is a romantic staccato number.
There is an evident appreciation for language,and the venue, during 'Mack the Knife' which Mr. Willoughby conjugated into perfect German.
Clayton entertained the crowd with a quiz and trivia radio show~who was the actress in 1933 King Kong? The answer was Fay Wray; he presented the winner with tickets to the 1939 World's Fair printed on color cardstock. "Provide your own tim machine, my dear." The next contestant won two tickets to Buffalo Bill's Wild West show, and was told to provide their own transportation. "Now a word from our sponsor" said Clayton as he recited a Proctor and Gamble commercial.
Between sets of vintage trivia, blues from the 20s and Love songs from 1911, I realized he brought something completely different to the indie music scene.

No Joy at the Lobster Pound

Weirs Beach, NH

The Lobster Pound prides itself as THE venue for the Lakes region of New Hampshire due to its strategic placement to Laconia and Weirs Beach. This is a great venue to eat, drink, see and be seen, but NOT to see a live band. This venue is not band friendly.

We'll start with the setup. There is no stage, and not enough space in the playing area for four band members to stand together during the gig. This is disharmonious at best. To further complicate matters, the entire room is wood and the sound bounces off the walls. The bar is at the front of the restaurant and the amps are directed towards the patrons at the bar, who complained about the volume.

Too loud?Seriously? I thought this was Memorial Day weekend in the Lakes Region, known for its infamous BIKE WEEK. (June 13-21).

The band's back is to the patron's backs in the restaurant part of the bar. The band(who will not be named) was rockin, and I believe it was a good fit for the venue due to the diverse mixture of patrons young and old, biker and professional. Unfortunately they did not even receive free sodas during the gig, and were treated coldly in other ways. They do not believe the room was supportive and are convinced they won't be invited back. Which is really too bad, because It's a great band, and still think they should get a second chance. We're not talking unseasoned rookies here - this band gets around up and down the East Coast, and have even played in Nashville.

Genres covered include country, rockabilly, classic rock, blues, etc. This crowd likes to have fun, and don't need a lot of encouragement to loosen up.

There were a handful of people that liked the band, and showed their appreciation.

It's a tough break to be a travelling musician these days. The lead guitarist has over 300,000 miles on his car. Let's hope the Lobster Pound's check clears.

Sour Mash Seven: Individually Strong, Collectively Brilliant

http://www.chathamtap.com/

http://www.discoverculturaldistricts.com/

http://www.sourmashseven.com/

SO WHAT IF THEY'RE NOT FROM The East Coast? They STILL ROCK!

Sour Mash is:

• Joby Hurst-vocals, guitar, saxophone
• Colby Sandlian-guitar
• Mark 'Homeschool' Benham-vocals
• Thomas Brinkley-bass guitar
• Ethan Startzman-bass guitar
• Steve Wolf - bass guitar
• Richard 'Sleepy' Floyd - drums
• Steve Fulton-drums

Individually Strong, Collectively Brilliant
Featuring a rotating cast of musicians from inside Indy's Circle City, Sour Mash is an eclectic mix of virtuoso musicians ranging in age from 26-46. The collective music style fuses different elements of the individual's talents, taste, and influences.

The name "Sour Mash" refers to a whisky blend, and their intoxicating jams will make you lose your equilibrium

Connor's Pub
6331 Ferguson St
Indianapolis, IN
In Broad Ripple village, bands don't play gigs- they throw parties. It is standing room only as Sour Mash packs this intimate irish neighborhood bar wall to wall with thirsty partygoers. Whisky is a creative lubricant and a fine accompanient to 'Jesus Etc.' by Wilco as Mark Benham uses rock star charisma as he leans into the microphone, tosses his cascading waves, and jams on the harmonica. It should be illegal to be so good looking.
Richard 'Sleepy' Floyd soloed for an impressive five minutes on the drums while Ethan James, not to be outshone, performed his own extended solo. Ben Harper's 'Brown Eyed Blues'sounds like the Grateful Dead's 'Shakedown Street' until Joby Hurst yells, 'Where my hippies at?' and Brinkley's bass booms with badass authority.
The original Sour Mash Trio @ Chatham Tap
Joby Hurst - saxophone, banjo, guitar, vocals
Mark Benham - vocals
Colby Sandlian - vocals, guitar

Chatham Tap
719 Massachusetts Ave
Indianapolis, IN

Part of Indianapolis' cultural district, Massachusetts Avenue is known for its sexy sophistication and savvy shopping. Watching these three strum guitars in hand on the outdoor patio is a relaxing activity to welcome the warmer days and nights.

It is apparent they have a dedication to their craft. Determinably single, this trio is married to their music. In case these truths were not self-evident, it's all about the rock and roll.


The Main Event
7038 Shore Terrace
Indianapolis, IN 46254

West Side of Indianapolis~
Well Known for its left turn , left turn, left turn , it is also an area of creative genius.

May in Indianapolis is famous for its cultural diversity and strategic tourism. One of the hidden venues of the West Side is the Main Event. It spotlights tasty local music and a sprawling pool room with networking opportunities.

One of the bands with a standing gig here is Sour Mash.

Hailing from Broad Ripple, they bring an indie scene that is unusual to the West Side, and is uniquely appreciated by its patrons.

The West Side is a far cry from the college party bars deeper into the the city; expectations can quickly turn to dramatic disappointments.

Bands that play here with an ongoing wanderlust rarely make the cut - but Sour Mash has carved a niche here. It's all about the attitude that you bring to the venue.
With their Broad Ripple upbringing and traveling salesmanship,Sour Mash instinctively recognizes this. They seek gratitude in honoring the diverse chemistry of patrons' sensibilities and befriend the tough crowd.
No strangers to the road well traveled, Their musical savvy is evident in the cover songs they make their own, and they claim the West Side with their own unique blend of singer/songwriter ballads. During Flight of the Conchord's 'Business Time' , Joby Hurst employs mental masturbation as he sings lyrics to a striptease. "Do you know what time it is when I'm down to my socks....my business socks?" It quickly became a crowd favorite. Mark Benham and Colby Sandlian crooned "50 Ways to Leave Your Lover" in a swanky harmony that brought a fresh spin on the classic.

Honky Tonkin' in Boston

http://www.stanmartin.net

http://www.myspace.com/stanmartinsongs

http://www.sallyobriensbar.com/home.htm

Somerville, MA
Sally O'Briens

* Stan Martin - guitar, lead vocals
* Ducky
* Amber Casares - harmony, lead vocals
* Mike Dinallo - guitar, backup vocals

Stan Martin is first and foremost a great guitar player; he is a self-taught maestro from South Boston. Obsessed with the raw, spankin tone of his Telecaster, no pedals or distortion were used. In country and western music, drop D tuning creates a mood and it is a staple of the Honky Tonk heroes' tunes. Stan Martin uses this to his full advantage. One moment it was a jubilation celebration; the next it was a sad ballad to break your heart.
During "never gonna stop, party ain't over yet" the crowd was as engaging as the band.

Who ever heard of Honky Tonk without hearbreak?; "Love ain't that tough" is the title of their new album.

Stan and Amber's chemistry reflects harmonious ballads in a way that only couples can, remniscient of Johnny Cash and June Carter. They have had a lotta livin with a little regret.


The band gave their all and brought rip roarin'good times that night~ it was impossible to sit still.

No Doubt about it, Sally O' Brien's neighborhood irish bar was transformed into a Nashville Honky Tonk that night.

Amber Casares promised holy deliverance with "One drink closer to Heaven" written by Boston singer/songwriter John Lincoln Wright.

With lyrics of "Lord, take me out of this hell", she sang like a chorus of angels bringing me to eternal damnation - or redemption. She is truly Stan Martin's secret weapon. Her renditions of "I fall to pieces" and "Stand by Your Man" would make the country legends proud.

They've dropped a few pennies in the singer/songwriter wishing well, and it has paid off.

Sally O' Brien's is having a CD release party featuring several bands that play this eclectic venue, and Stan Martin's Honky Tonk heroes will be on it. Mike Dinallo and his band, the Radio Kings, will also be a hit.strong>

Hat On, Drinking Wine

http://www.myspace.com/hatondrinking

http://www.myspace.com/nicksworcester

My first question when I encountered Hat On, Drinking Wine was : "Where's the Drummer?"

Who: Hat On, Drinking Wine
When: Wednesdays at Nick's 8-11 pm
Hat on Drinking Wine is:
Matt Robert: Lead Guitar, Vocals, Harmonica ;
Ed Whalen: Acoustic Guitar, Vocals, Mandolin, Piano;
Jim Lang: Piano, Accordion, Tin Whistle;
Jarrett Conner: Drums

Influences: Wilco,Dave Matthews,Leonard Cohen,etc.

This is a talented group of singers and songwriters that change instruments like people change beer glasses in a bar.
From an accordion, to a piano, to a tin whistle, Jim Lang is truly indie experimentation at its finest.
Framed in Red and Gold curtains on the posh Nick's stage, every member of Hat On, Drinking Wine wore a baseball cap that juxtaposed the gleam of guitars in the golden light. Their musicality leaves an impression. They have an innate ability to harmonize with a disregard for a 'front runner'; they're not that kind of band. It's all about the overrall quality of the sound, and these three kings share, rather than boast, their wealth. Most of the songs sang were in the style of wistful love ballads, and Matt Robert's powerful voice swooped through the acoustics with a vibrato that parallels Van Morrison.
During Plastic Flowers, the unique sound of Hat On, Drinking Wine was fluid, powerful, and harmonius. "Back to Boston" brought stubstantial strumming and filled the room with pluckiness; Ed Whalen played the guitar like an upbeat electric bass.
The reprise of 'House on East Street' brought the duo of Whalen and Roberts together with split harmonies with a distinctly Americana feel.
Playing at Nick's for a year, they represent a versatility that is as alive as a heartbeat. With memorable, thought-provoking lyrics, Hat on Drinking Wine is constantly evolving,and that is how they keep people coming back.

After all these months, they still have a dedicated crowd as diverse as they are.

Ten months in the making, Hat On Recently released their seven song self-titled album June 12 that features songs regulars at Nick's will recognize. With everpresent melancholy lyrics, During 'Jackie' the last song on the CD, Jim Lang's lackadaisical piano accompanient brings a creative element to the piece.

Ghosts of Mississippi

www.raisingtheblues.org
http://www.myspace.com/jonshort
http://www.myspace.com/vincentsbar

Vincent's - leave your animal rights sensibilities at the door.

Featuring a dimly lit, creepy decor that includes giant spiders and taxidermied animals, Vincent's is not a venue for the meek.

Where:Vincents 49 Suffolk Street
Worcester,MA
Who:Jon Short , Mississippi Delta Blues
GHOSTS OF MISSISSIPPI

The signature drink at Vincent's is the $5.00 Sangria - advertised alongside a quote from W.C. Fields, 'the liver is evil and must be punished.'
Born in the Mississippi Delta myself, I understand the blues. It is the sound of a spirit begging for redemption from a god-loving, man-fearing soulful culture. Jon said it best when he said, "I'm a fast runner."

You don't know what pain is until you're in a relationship...or until you're in Mississippi.

Jon covers both genres equally well with songs that echo the lows and highs of the culture.
From "The Woman I hate....I see her every day...the Woman I love...she lives so far away.", to the call in reprise of "When the Saints Go Marchin' In".
Songs:
"Turn your Money Green"
"Saints Go Marchin' In"
"A man of Constant Sorrow"
"Knoxville Blues"
"Delta Blues"
"Asian Longhorned Beetle"

Jon's style is definitively Southern - both approachable and entertaining.He introduced each song with a conversational background that lended colloquial authentication.

"I learned this song from Furry Lewis - they called him THE SLIDE MAN. He had a peg leg and worked as a street sweeper for 40 years. If he didn't have the blues, I don't know who did."

Jon utilized every section of his body to play music, just like they do in the old Hill Country,that is , the northern part of Mississippi that is close to Tennessee.He is not a one-man band; he's a one-man juke joint.
When the fickle New England weather allows it, Jon plays on the front porch of the dilapidated shack in the backyard of Vincent's in Worcester, and just released a CD called 'Songs from the Shack." One of the songs featured on the CD is "Turn Your Money Green" written by Furry Lewis, the Mississippi Delta's own Slide Man, and speaks of a whiskey river, Willie Nelson style.
I instantly liked Jon Short, and may have developed my own hillbully crush on him.
Tools of the Trade:
Steel Dobro (before the invention of electric guitars, they used steel dobros. The whole purpose of the design was to make it LOUD.)
LOBO
Floor Tom - 18 x 24 kick drum turned upside down
Cigar Box guitar - two pool cues and a cigarbox. Circa 2008; no frets; a slide is essential.
Spurs on his shoes(just call him 'Mr. Bojangles)

West Boylston - Where the Streets Have No Name

http://www.myspace.com/joshuatreemass

What: The Joshua Tree (New England's best U2 cover band)
When: 5/1/09
Where: PJ's New England Bar and Grill West Boylston, MA

U2 is a well loved prolific irish band, and their music spans decades. I was pleasantly surprised to hear the old, new, and everything in between when The Joshua Tree packed PJ's New England Bar and Grill. Hailing from Boston, The Joshua Tree is a U2 tribute band ~ and deserved to be called so. To call them a cover band would infer they are not accomplished musicians; and they are. How else would they be able to offer such valuable entertainment on such an intimate scale?

Featuring:
Mike Golarz- Vocals, Guitar

Joe Wilson- Bass, Vocals

Ivo Matos-Guitar, Piano

Bob Pimental- Drums

Boston is the city with the largest Irish population, so a tribute of a popular irish ROCK band makes good business sense.

These guys packed the place with appreciative patrons who otherwise wouldn't be able to afford to see U2 in person.

Coming soon to a venue near you, The Joshua Tree travels all over the East Coast - from New York to Nantucket.
The Piccarella Family Welcomes you to PJ's Bar and Grill
No recession evident in West Boylston, as you had better arrive early to score a seat - bar or table. You would think three restaurants within walking distance of each other would be bad for business, but it is more boom than bust here. As the name suggests, PJ's offers authentic italian food in tradtional new england atmosphere. There is a spacious outdoor patio with umbrellas at every table, a large horshoe bar, brick inlay walls adorned with framed Boston athletes, and plenty of plasma TVs to watch the game. The new owner, Skip Piccarella, recognized that I was not a regular and chatted with me for a while.

He is a graduate of Boston University and has been on a few mean streets himself.

Abbie Barrett and Mass Elite @ Tom's Eatin and Drinkin Place

www.tomseatinplace.com/

http://www.myspace.com/abbiebarrett

http://www.myspace.com/masselite



Venue: Tom's Eatin and Drinkin' Place

4 West Main Street, Suite 101

Northborough, MA 01532

(cooking school, deli, expanded new bar, after work socials, and Art Gallery)

Name: Abbie Barrett (solo)

Hails from: Somerville, MA

Mass Elite Acoustic show:

Hometown: Worcester, MA

Timothy Burden (bongos)

Kenny Michaud (acoustic guitar/harmonica)

Mike Allaine (bass)

Abbie Barrett and Mass Elite met in Lowell at a gig last summer.

I was pleasantly surprised to see three members of Mass Elite playing an acoustic set. I was originally introduced to them as a rap/hip-hop band. I never would have guessed that Kenny Michaud also played the harmonica , or wrote his own acoustic tunes. Kenny played guitar alongside as well as with other members of Mass Elite. Mike Allaine-played a booming bass with the precision of a metronome and Tim B(Tim B Easy)refused to be outshone as he played the bongos like it was going out of style. (He ususally assists with vocals and guitar during a Mass Elite gig.)


My first impression of Abbie was that she was a tall drink of water...and I was really thirsty. She had bangs like Zooey Deschanel and thin jangling hoop silver earrings that shined like polished guitar strings. It was self-evident that none of the acoutrements were needed as soon as she opened her mouth. This girl 'gets it' and beguiles you with her talents.

With the voice of a thousand angels, Abbie opened up with 'tied to the whipping post' and continued with classic singer/songwriter favorites such as Neil Young's 'helpless'

. She then proceeded with some of her own material from her new CD , as well as a wedding song she wrote for some friends. Not jaded, even the song she described as 'angry' (the inspiration was Boston traffic)was still lyrical. Abbie is a genuine glimmer of hope in the music industry and is one of the many reasons to support local music. There was none of that man-hating angst so prevalent in female fronted bands, and I felt very at ease while listening.

Great if you're nursing a hangover-or a heartache.

Mass Elite at the VIP opening of Chasers

http://www.ourstage.com/fanclub/masselite
http://www.myspace.com/masselite
http://chasers90.com/home.htm

Name:Mass Elite
Hometown: Worcester, MA

Venue: Walshy/Chasers 90 Commercial Avenue
Genre:original lyrical hip hop,covers,blues,rock,funk,rap
Influences:311,Sublime,Beastie Boys
Record Label:unsigned

Song Titles:"Fall Back Rap", "Prince of Bel-Air", "Oye Como Va", "Takin Over","Place in Life","Ready" "Complete Circle"

• Tim Caban - MC/vocals
• Josiah Burden(aka Joe)-keyboards
• Timothy Burden(aka Tim B Easy)-MC/vocals/guitar
• Mr.Curci-MC/vocals
• Mike Allain - Bass
• Kenny Michaud-guitar
• Nate Haviland(aka Nate Dog)-drums
  
  Mass Elite is a collaborative mix of diverse musicians with a creative feel flair for rhyme and lyrical melodies. They are young,hip and influential, and live up to their name - the Mass Elite. Mass is where they're from, and Elite is what they are.

  These guys have more rhymes than Jamaica has Mangoes.

  "Ready to go" and "Takin' Over" emitted like a challenge. Due to their high-energy hooks and funky grooves, they have a dedicated following and play both Tammany Hall and Ralph's in Worcester on a regular basis. Don't let the hip-hop,ska, or reggae jams fool you- they also cover classic rock jams like Santana. Do these guys a favor - check out Chaser's website and vote for them in the booze cruise!

If you're looking for a clean club atmosphere in the heart of Worcester, Chaser's is it. On this particular evening the excitement was in the air as it was VIP preview night of the grand opening and I could still smell the fresh paint. The sound and light system were unbelievable. Complimentary adult beverages were served courtesy of Budweiser. Chasers caters to young urban professionals as well as the laid back locals with its swanky atmosphere , state-of-the-art sound system, and leather interior.

Jason James @ Nick's - a whole lotta shakin' goin on!

Jason James

Venue: Nick's
124 Millbury St.
Worcester MA 01605

When: Sundays 9-12 p.m.

Influences: Jerry Lee Lewis, Elvis Presley, Ray Charles,Patsy Cline,Bob Dylan,Ritchie Valens,Johnny Cash, George Thorogood

Genre:genre:cover,piano blues, rockabilly,country,jazz,swing,singer/songwriter,boogie woogie,

The era of wintips, classic cars, and fountain drinks~the good 'ol days

This guy is the genuine article and comes with a certificate of authenticity.

Debonair and dapperly dressed,with slick hair and a pressed western shirt , Jason hails like a hepcat from Memphis that looks as if he would be comfortable in a tricked out Cadillac.
Utilizing an old fashioned chrome microphone ,an antique piano, and a semi hollow Gibson ES,Jason croons while effortlessly finessing the piano like a woman he is trying to seduce.

With a flair for showmanship, Jason tilted his head back, thumped on the keys, and frantically slid his fingers with a flourish of controlled chaos.

By the time he finished the third set, I thought he would encore by lighting the piano on fire.Genre bending,powerful,and irresistible, Jason has a standing solo gig at Nick's every Sunday.
Here is a brief list of songs covered that night :

• "The good you do~won't do you any good"; "Don't Be Cruel",
• "Blue Moon of Kentucky",
• "Folsom Prison Blues",
• "You Belong to Me",
• "I walk the line"
• "Jail House Rock",
• "Hound Dog",
• "Great Balls of Fire"

Influences:
Jerry Lee Lewis, Elvis Presley, Ray Charles,Ritchie Valens,Johnny Cash, George Thorogood

Nick's is a wonderful entertainment venue to see any live act due to its rich textures, lacquered woods , fine art reproductions, and old world Bavarian theme.

Saucy Jack at the Chicken Bone

• http://www.saucyj.com/
  http://thechickenbone.com/
  http://www.myspace.com/122702932
  
  When:4/24/09
  Name:Saucy Jack
  Venue: The Chicken Bone Framingham, MA
  
  Saucy Jack @ the Chicken Bone : a match made in Heaven!
  
  What better combination than a mixture of jam based rockin' cover tunes with mouthwatering BBQ? This was just what the doctor ordered.
  
  Hailing from Hampstead, New Hampshire, Saucy Jack is definitely a crowd pleaser!
  Riproarin good times to be had by all while Saucy Jack plays well-known and obscure classic rock covers from the 60s,70s and 80s. With the personas they bring to the stage , you could classify them as a hybrid of jam and cover band.

  The songs they play are fun, frantic, and fabulous.

  They are high-energy , extremely creative, and musically adept Apparently extended sets and short breaks are their trademark, which is easy to do when you do what you love.
  I didn't see crazy wigs that night, but they have been known to go the distance when it comes shock value. Don't let their age fool you - these guys rock out and will do anything to make the crowd get involved in their antics.

Saucy Jack is:

• Michael Kuran - Lead Vocals, Drums, and Percussion
• Curt Schmidt - Keyboards, Vocals, Guitar, and Harmonica
• Erik Barcza - Lead Guitar and Vocals
• Derek Moreau - Drums, Vocals, Percussion and Harmonica
• Sean Johnston - Bass and Vocals

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